Nick Photinos, cellist

Petits Artéfacts

 

“Each step on the musical journey of this album seems carefully selected and well placed. Petits Artéfacts is a wonderful collection of styles in today’s new music scene and a stunning display of the abilities of its curator Nick Photinos.”

JARRETT GOODCHILD, I Care if You Listen

 

 

Petits Artéfacts brings together never-before-recorded works from some of the most acclaimed names in new music — David Lang, Andrew Norman, Bryce Dessner, David T. Little — but also a newer generation of groundbreaking composers like Angélica Negrón, Florent Ghys, Molly Joyce, and Pascal Le Boeuf, who are quickly gaining notoriety as well. The music ranges from quirky and hilarious to profound and ethereal, and the pieces create worlds and context far outweighing their length. The music is enlightened with the help of Photinos’s favorite collaborators, pianist Vicki Ray and percussionist Doug Perkins. Perkins also serves as the album’s producer, with Todd Reynolds and Pascal Le Boeuf as co-producers.

The idea for the album began to take shape when Photinos premiered a work by bassist Florent Ghys at the Bang on a Can Summer Music Festival called Petits Artéfacts for cello, electronics and video. Florent’s piece explored a breadth of musical styles in a single multi-movement piece, with a mixture of play (in the movement “Game”), spoken word (in “Information”), electronic manipulation of sound (“Cuisine”), purely acoustic sound and emotional depth (“Factory”), playing against highly processed sound (“Family”), and layering of sound (“Flower”). Ghys’s piece brought to mind all the other short yet powerful pieces Photinos had performed over the years, written by some of the most compelling creators in new music but never before recorded. The idea to create a collection of these special small, man-made objects — these “petits artéfacts” — was born.

Photinos hand-picked the pieces on Petits Artéfacts for the personal connection he has felt with them, and their creators, musically and emotionally.

“I identify with these pieces, and with the composers who wrote them. The composers span a generation but we all have a shared sense of musical upbringing, loving and letting in Classical music but also the many musical influences we grew up with — such as pop, jazz, rock, and electronica,” explains Photinos.

“These are all pieces I love playing and love listening to, and I wanted this to be an album that doesn’t just sit on a shelf but actually gets put on in a car, that someone can jam out to. These pieces share some of the hallmarks of pop without being pop: short length, ‘hooks,’ and a strong rhythmic drive. But they also explore the depth and breadth of these composers and what the cello can do, what kind of voices it can have in the 21st century.”

Many of the pieces on the album feature the artifacting of the sound of the cello, which explores the concept of an artifact also being a computer glitch, whether aural or visual. This is most notable in Ghys’s piece “Cuisine”, which breaks up the sound of the cello into a bubbling, boiling texture. It is also featured through use of delay as an artifacting of sound, which is prominent in David T. Little’s piece “and the sky was still there”. This definition shaped the album art as well, adapted from video Ghys created for his piece “Flowers”; the dandelion image is natural, but visual artifacting effects make it appear between two states, turning it into a man-made, manipulated object. Even the font is visually artifacted — a glitch in the computer program used to design the album art automatically eliminated the horizontal beam from capital A’s.

“I feel grateful to have had the opportunity to interpret and explore the music and ideas on Petits Artéfacts, and say something first about these special pieces since they are all debut recordings,” continues Photinos. “However it would make me incredibly happy if this recording gave other cellists the opportunity learn about this music and start playing it themselves, expressing their own unique interpretations and connections.”


credits

released August 25, 2017

Producer: Doug Perkins
Engineer/Mixing/Post-Mastering: Patrick Burns
Mastering: Joel Gordon
Producer for “and the sky was still there”: Todd Reynolds
Producer for Alpha: Pascal Le Boeuf
Mixing for Alpha: Dave Darlington

Tracks 1-6, 8-12, and 18 recorded June 30-July 1, 2016 at Shirk Studio, Chicago, IL
Tracks 7 and 13-17 recorded June 29, 2016 at Music Institute of Chicago, Evanston, IL
Track 12 recorded May 16, 2016 at I.V. Lab Studios, Chicago, IL

Track 12 backing tracks by
Charles Yang (violin) on May 16, 2016 at I.V. Lab Studios, Chicago, IL
Jefrey Zeigler (cello) on December 7, 2015 by John Kilgore at John Kilgore Studios, New York, NY
JACK Quartet (Christopher Otto and Ari Streisfeld, violins; John Pickford Richards, viola; and Kevin McFarland, cello) on May 9, 2014 by Andy Taub at Brooklyn Recording, Brooklyn, NY

Front cover photo: David Montgomery
Back cover photo: from video by Michael McQuilken
Album design: Messy Queen Productions

About Nick

photo: Joe Mazza

Nick Photinos, cellist, is a founding member and co-Artistic Director of the four-time Grammy Award-winning chamber music ensemble Eighth Blackbird. Formed in 1996, the group performs 50-60 concerts annually throughout the world and has been featured at the 2013 Grammy Awards, on CBS’s Sunday Morning, Bloomberg TV, and frequently in the New York Times. Recent accolades include being named Musical America’s Ensemble of the Year for 2017 and the inaugural Chamber Music America Visionary Award in 2016. Highlights of the 2017-2018 include their debut with the Philadelphia Orchestra in Jennifer Higdon’s concerto for sextet and orchestra, On a Wire; debuts in Milan and Turin, Italy and Budapest, Hungary; performances with Cincinnati Ballet; and performances across 11 US States. The 2016-17 season included debuts in Paris, at Justin Vernon’s (Bon Iver) and Aaron Dessner’s (The National) Eaux Claires Festival, with the San Francisco Symphony, a three-week return to Australia, as well as shows with indie-folk artist Bonnie Prince Billy (Will Oldham) and world premieres by Holly Harrison, Pulitzer Prize-winner David Lang, and Ned McGowan. In June 2017 Eighth Blackbird launched their annual summer festival, the Blackbird Creative Lab, a tuition-, room- and board- free chamber music festival. The ensemble has held multi-year residency positions at the Curtis Institute of Music, the University of Chicago, and currently holds an ongoing Ensemble-in-Residence position at the University of Richmond.

As a solo artist, Nick has toured with Björk, recorded with Wilco on their Grammy-nominated album The Whole Love, and recorded with Autumn Defense on their album Once Around. He has performed and recorded with numerous jazz artists including vocalists Sheila Jordan, pianist Laurence Hobgood, violinist Zach Brock, and bassist Matt Ulery, with whom he has been featured on three albums. He has also served as section cellist with the Canton and Columbus Symphony Orchestras and the Cabrillo Festival Orchestra. He teaches at the Bang on a Can Summer Festival every July in North Adams, MA. Nick is a graduate of Northwestern University, the Cincinnati College-Conservatory of Music, and the Oberlin Conservatory of Music. He has recorded for numerous labels including the Cedille, Nonesuch, New Amsterdam, Greenleaf, and Naxos labels. His debut solo album, Petits Artéfacts, featuring never-before recorded works by some of the most acclaimed names in new music, including David Lang, Andrew Norman, Bryce Dessner, David T. Little, Angélica Negrón, Florent Ghys, Molly Joyce, and Pascal Le Boeuf, will be released on the New Amsterdam label in late August, 2017.